The Hellfire Club 1961 REVIEW

1960

Treat yourself to something wicked from the Spooky Isles collection!

RICHARD PHILLIPS-JONES looks at The Hellfire Club 1961 – does the subject promise more than the film delivers?

Hellfire Club 1961

TITLE: The Hellfire Club
RELEASED: February 1961
STARRING: Keith Michell (Jason Caldwell), Adrienne Corri (Lady Isobel), Peter Arne (Thomas, Earl of Netherden), Kai Fisher (Yvonne), Peter Cushing (Mr. Merryweather)
WRITERS: Jimmy Sangster and Leon Griffiths
DIRECTORS: Robert S. Baker, Monty Berman

As a child, Jason Caldwell was forced to flee his ancestral home for his own safety. Many years later, he returns to reclaim his birthright as the Earl of Netherden. However, his sinister cousin Thomas is already holding the title, and has no intention of giving it up. He also has his cronies in the powerful Hellfire Club to help him defend it…

It looks like we’re in for a ghoulish time, opening with an apparent sacrifice taking place in the Hellfire Caves, but it turns out to be a trick on the audience. Anyone looking for an exposé of what went on down there will be disappointed, despite a script co-penned by Hammer regular Jimmy Sangster.

All names have been changed to protect the innocent and not-so-innocent, and the resulting tale is complete fiction. Apart from the odd slightly risqué female shot, a dash of belly dancing and some debauchery so mild it seems dishonest to refer to it as such, this is very much a Saturday-morning action yarn at heart.

That’s not to say there isn’t plenty of fun to be had. It’s an impressive cast – David Lodge, Bill Owen, Francis Matthews and more can be found in supporting roles, and any appearance by Peter Cushing is always welcome. If you don’t go in with the wrong expectations, The Hellfire Club is an enjoyable enough swashbuckler. If you’re in search of chills, look elsewhere.

READ:  Blood Of The Vampire 1958 REVIEW

TRIVIA NOTE: Co-writer Leon Griffiths would later create the massively popular comedy-drama series, Minder (1980-94) starring George Cole and Dennis Waterman.

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